7 Dec 2011

FINE ART SPECIALISM FIRST LESSON 07-12-11


The brief we have been given is very open ended and has given us a great deal of personal choice in how to approach the various potential subjects. As I've written before, there is obviously commonality between the different areas, in that they are all inversions, binary in their nature at first glance but upon closer examination any one of the themes contains infinite amounts of depth for exploration. They are also allegorical and metaphoric in their nature – any one of them has a wealth of potential subtext if so desired, and it is in this subtext that I am most interested. Rather than necessarily take the themes at face value, and be absolutely literal with them as a matter of course, I am more interested in twisting their meanings and applying them to maybe less obvious uses in order to make a statement of some kind. At this stage I do not know what that statement might be, and I suspect that I may combine more than one of the themes together to reinforce them, as they are so closely linked. For example, LIGHT/DARK and INSIDE/OUTSIDE are linked in our imaginations when in the context of space, such as with interior locations and exterior locations, night and day lifestyles with safety and danger, inside the home and outside in the world. The theme of invasion and fortification comes up at this point. We are in our minds safer indoors at night than we are outdoors, where there are any number of threats and dangers, both in nature and in other people who may seek to use the darkness to assist them in nefarious activities.

In preparaton for the session we were requested to bring in a selecton of items of various physical qualities, such as reflective and matte surfaces, transparant and opaque, and so on. The main focus of the session was to draw basic building blocks for inspiration from what was in front of us, either by drawing from observation, or taking photographs, which was the main route that I used. I had them printed, and attempted to trace elements of the photographs onto acetate, with mixed results. At the end of the session I wasn't any clearer on what direction I wanted to take the work in, but felt that further experimentaton was the key and so I remain optimistic that further investigation and thought will yield more sophisticated ideas.